A response to Biding I, written for the MASH Marathon at the JdP Music Building, St Hilda’s College, Oxford on Friday 27th January 2017 and performed by Hannah Merchant (cello). It combines electronic delays and pre-recorded samples with cello on a time-spaced score.
This piece incorporates various live sampling methods and is to be performed by a cellist and a separate performer with a laptop (or tapes and a stand-alone live sampling device). The piece has a meditative quality, regularly pausing for thought as natural and artificial reverbs are allowed to die away. The performers have this in…
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Tagsbarocci biding bow and baleno cello chamber choreography composition dance dansox delay electroacoustic electronic electronics ensemble ensemble klang film guitar jdp maki sekiya mash marathon masters ensemble mezzo-soprano michaela riener monodrama motion and meaning national gallery oxford piano rcm rending retrace samples screen sextet showreel solo st hilda's string quartet unstemmed video villiers quartet