Grim’s Ditch (2018, c. 17′) was written for the Dutch new music group, Ensemble Klang, and Austrian mezzo-soprano, Michaela Riener, for a DANSOX residency with leading contemporary dancers at the JdP Music Building (St Hilda’s College, University of Oxford) on Friday 6 July 2018. The choreography is by Patricia Okenwa in collaboration with Estela Merlos and…
A response to Biding I, written for the MASH Marathon at the JdP Music Building, St Hilda’s College, Oxford on Friday 27th January 2017 and performed by Hannah Merchant (cello). It combines electronic delays and pre-recorded samples with cello on a time-spaced score.
I. Rising mounds II. Coarse grains III. Reflections IV. Asterisk Listen to the third movement Reflections performed by the Villiers Quartet here: This movement is an unusual swamp of textures. The title refers to the reflective character of the piece and the way in which the material is treated. Slow-moving, muddy textural ideas flow through a…
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Tagsbarocci biding bow and baleno cello chamber choreography composition dance dansox delay electroacoustic electronic electronics ensemble ensemble klang film guitar jdp maki sekiya mash marathon masters ensemble mezzo-soprano michaela riener monodrama motion and meaning national gallery oxford piano rcm rending retrace samples screen sextet showreel solo st hilda's string quartet unstemmed video villiers quartet